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Source: Infosjeunes.com
The Twilight series, written by Stephenie Meyer, consists of five books - Twilight, New Moon, Eclipse and Breaking Dawn (to be released August 2008). The fifth book is tentative, but in her website Stephenie Meyer has offered a free download of the first chapter of Midnight Sun [PDF].
I hope to get more news as the movie draws near. Twilight is set to show December 12, 2008 and stars Robert Pattinson, Kristen Stewart and is directed by Catherine Hardwicke.
I had not known Twilight prior to when I saw the trailer. I had seen the book but not really give it much thought. That was until the casting of Robert Pattinson, the guy who played Cedric Diggory in the Harry Potter franchise.
A laugh out loud choice for me but a good choice nonetheless. Hollywood’s way of stereotyping its actors gets kinda stupid sometimes - Jon Heder would have a hard time getting out of Napoleon Dynamite’s shadow, so will McLovin, and this Cedric Diggory looks like he wont find himself off the occult/dark roles anytime soon.
So far the screams seem to come from young girls, and Potter fan boys (who miss Mr. Diggory because he died), and a couple of gay bloggers. Lolz! Not surprising.
Teens from all over the world might just fall in love with him since he’s supposedly a beautiful vampire in the Twilight franchise. A good vampire at that, who drinks animal blood instead of man’s. WTF! A round of applause please… this is soo teeny-bopper; throw in a couple of songs here and suddenly it’s High School Musical -The Holloween Party!
The vampire stereotype is already not one you’d hate. Protagonists of the dark are well known charmers - capable of love, incapable of commitment - another term for “good in bed.” Their fake fangs give them pouty lips that for some reason are exceptionally red. Vampires also have their fashion styled to red and black - elegant and classy, almost smart. Fact is, vampires are hot until they put powder on their faces.
And then there’s the idea that they’re supposedly evil, feasting on human blood in order to survive. So what do you do when a really hot, young, 17 year-old-looking vampire gives you the one in a million chance of a half-sexual, adrenaline-rushing sensation of offering the blood galloping from your neck to satisfy his lusting heart?
The announcement follows Adobe's implementation of Premiere Express, their online video editor, and it signifies a fairly progressive market plan by Adobe. In a content creation culture where every teen is a video editor, the democratization of powerful multimedia tools online allows Adobe to reach out to this new generation without abandoning their industry professional bread and butter. And it makes us want to remind kids that we once edited a movie on a VCR (after walking 30 miles barefoot in the snow, aiming our kite for lightning to capture the electricity to do our work). [adobe]
Name | Term of Office | Principal Deputy | Term of Office | President(s) served under |
---|---|---|---|---|
Robert Hutchings | 2003–2005 | George W. Bush | ||
Thomas Fingar | 2005– | David Gordon | 2005–2007 | George W. Bush |
Magritte was born in Lessines, in the province of Hainaut, in 1898, the eldest son of Léopold Magritte, a tailor, and Adeline, a milliner. He began lessons in drawing in 1910. In 1912, his mother committed suicide by drowning herself in the River Sambre. Magritte was present when her body was retrieved from the water. The image of his mother floating, her dress obscuring her face, may have influenced a 1927–1928 series of paintings of people with cloth obscuring their faces, including Les Amants, but Magritte disliked this explanation.[1] He studied at the Académie Royale des Beaux-Arts in Brussels for two years until 1918. In 1922 he married Georgette Berger, whom he had met in 1913.[2]
Magritte worked as an assistant designer in a wallpaper factory, and was a poster and advertisement designer until 1926 when a contract with Galerie la Centaure in Brussels made it possible for him to paint full-time. In 1926, Magritte produced his first surreal painting, The Lost Jockey (Le jockey perdu), and held his first exhibition in Brussels in 1927. Critics heaped abuse on the exhibition. Depressed by the failure, he moved to Paris where he became friends with André Breton, and became involved in the surrealist group.
When Galerie la Centaure closed and the contract income ended, he returned to Brussels and worked in advertising. Then, with his brother, he formed an agency, which earned him a living wage.
Surrealist patron Edward James allowed Magritte, in the early stages of his career, to stay rent-free in his London home and paint. James features in two of Magritte's pieces, Le Principe du Plaisir (The Pleasure Principle) and La Reproduction Interdite. [3]
During the German occupation of Belgium in World War II he remained in Brussels, which led to a break with Breton. At the time he renounced the violence and pessimism of his earlier work, though he returned to the themes later.
His work was exhibited in the United States in New York in 1936 and again in that city in two retrospective exhibitions, one at the Museum of Modern Art in 1965, and the other at the Metropolitan Museum of Art in 1992.
Magritte died of pancreatic cancer on August 15, 1967 and was interred in Schaarbeek Cemetery, Brussels.
Popular interest in Magritte's work rose considerably in the 1960s, and his imagery has influenced pop, minimalist and conceptual art.[4] In 2005 he came ninth in the Walloon version of De Grootste Belg (The Greatest Belgian); in the Flemish version he was 18th.
A consummate technician, his work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things. The representational use of objects as other than what they seem is typified in his painting, The Treachery of Images (La trahison des images), which shows a pipe that looks as though it is a model for a tobacco store advertisement. Magritte painted below the pipe "This is not a pipe" (Ceci n'est pas une pipe), which seems a contradiction, but is actually true: the painting is not a pipe, it is an image of a pipe. (In his book This Is Not a Pipe French philosopher and critic Michel Foucault discusses the painting and its paradox.)
Magritte used the same approach in a painting of an apple: he painted the fruit realistically and then used an internal caption or framing device to deny that the item was an apple. In these Ceci n'est pas works, Magritte points out that no matter how closely, through realism-art, we come to depicting an item accurately, we never do catch the item itself - we cannot smoke tobacco with a picture of a pipe.[citation needed]
His art shows a more representational style of surrealism compared to the "automatic" style seen in works by artists like Joan Miró. In addition to fantastic elements, his work is often witty and amusing. He also created a number of surrealist versions of other famous paintings.
René Magritte described his paintings by saying,
The 1960s brought a great increase in public awareness of Magritte's work. One of the means by which his imagery became familiar to a wider public was through reproduction on rock album covers; early examples include the 1969 album Beck-Ola by the Jeff Beck group (reproducing Magritte's The Listening Room), Jackson Browne's 1974 album, Late for the Sky, with artwork inspired by Magritte's L'Empire des Lumières[5], and the Firesign Theatre's album Just Folks . . . A Firesign Chat based on The Mysteries of the Horizon.[6] Alan Hull of UK folk-rock band Lindisfarne used Magritte's paintings on two solo albums in 1973 and 1979. Styx adapted Magritte's Carte Blanche for the cover of their 1977 album The Grand Illusion, while the cover of Gary Numan's 1979 album The Pleasure Principle, like John Foxx's 2001 The Pleasures of Electricity, was based on Magritte's painting Le Principe du Plaisir.
Jethro Tull mention Magritte in a 1976 lyric,[citation needed] and Paul Simon's song "Rene And Georgette Magritte With Their Dog After The War" appears on the 1983 album Hearts and Bones. Paul McCartney, a life-long fan of Magritte, owns many of his paintings, and claims that a Magritte painting inspired him to use the name Apple for the Beatles' media corporation. Magritte is also the subject and title of a John Cale song on the 2003 album HoboSapiens.
Numerous films have included imagery inspired by Magritte. The Son of Man, in which a man's face is obscured by an apple, is referenced in the 1992 film Toys, the 1999 film The Thomas Crown Affair and in the 2004 short film Ryan. In the 2004 film I Heart Huckabees, Magritte is alluded to by Bernard Jaffe (Dustin Hoffman) as he holds a bowler hat. According to Ellen Burstyn, in the 1998 documentary The Fear of God: 25 Years of "The Exorcist", the iconic poster shot for the film The Exorcist was inspired by Magritte's L'Empire des Lumières.
The Spanish television show El Planeta Imaginario (1983–1986) dedicated two episodes to René Magritte: "M, el extraño viajero" (M, the strange traveller) and "La Quimera" (The Chimera).[citation needed]
Magritte's painting The Treachery of Images is referred to in The Forbidden Game: The Chase, a book by L. J. Smith, in which the difference between image and reality becomes key to solving the entire conflict. The same painting (and its caption, "This is not a pipe") inspired a graphic in the video game Rayman Raving Rabbids. The online game Kingdom of Loathing refers to this painting, as well as to The Son of Man.
Magritte appears, with some of his art, on a 2008 issue of the Belgian 500-Franc note.
On November 21, 2008, the Google homepage featured a logo dedicated to Magritte. It was a mixture of The Son of Man and Golconda.
Contemporary artists have been greatly influenced by René Magritte's stimulating examination of the fickleness of images. Some artists that were influenced by Magritte's works include John Baldessari, Sherrie Levine, Ed Ruscha, Andy Warhol, Jasper Johns, Vija Celmins, Marcel Broodthaers and Martin Kippenberger. Some of the artists' works integrate direct references and others offer contemporary viewpoints on his abstract fixations. [7]
Caesar was born in Yonkers, New York, the son of Jewish immigrants Ida (née Raphael) and Max Caesar, who ran a twenty-four-hour luncheonette.[1][2] Caesar would help his parents by waiting on tables and it was during this time that Sid learned to mimic many of the accents he would use throughout his long career. He first tried his double-talk with a group of Italians, his head barely reaching above the table. They enjoyed it so much, they sent him over to a group of Poles to repeat it in Polish, and so on with Russians, Hungarians, Frenchmen, Spaniards, Lithuanians, and Bulgarians. Despite his apparent fluency in many languages, in reality Caesar can only speak English and Yiddish. The Caesars were a funny family and Sid's older brother Dave was his comic mentor and 'one-man cheering section'. They created their earliest family sketches from then current movies like Test Pilot and Wings.
At fourteen, Caesar first went to the Catskills as a saxophonist with Mike Cifficello's Swingtime Six and would also occasionally perform in sketches. After graduating from high school in 1939, Caesar's family was still reeling from the Great Depression and he moved out, intent on a musical career. He arrived in New York City penniless and tried to join the musician's union (later he audited classes at the famed Juilliard School of Music). That first summer on his own, he played at the Vacationland Hotel in Swan Lake in the Catskills. There under the tutelage of Don Appel, the resort's social director, Caesar played in the band and learned to perform comedy, doing three shows a week.
During the summer of 1942, he met his future wife Florence Levy at the Avon Lodge. After joining the musician's union, he briefly played with Shep Fields, Claude Thornhill, Charlie Spivak, and even Benny Goodman. In September 1942, Caesar joined the United States Coast Guard. Fortunately, he was posted to Brooklyn so he was able to maintain contact with his family and fiancée. Vernon Duke, the famous composer of Autumn in New York, April in Paris, and Taking a Chance on Love, was also stationed at the same base and he collaborated with Caesar in musical revues.
Caesar's knack for wisecracks, however, got bigger applause than the musical numbers, and the show's producer asked him to do stand-up between his numbers. While still in the service, Caesar was ordered to Palm Beach, Florida where Vernon Duke and Howard Dietz were putting together a service revue, Tars and Spars. There he met the civilian director of the show Max Liebman, later the producer of his first hit television series. Tars and Spars toured nationally and then a film version was made at Columbia Pictures. He also got a part in The Guilt of Janet Ames. He married Florence Levy on July 17, 1943. They are the parents of three children.
After the war, Caesar and his wife stayed in Hollywood, but despite a few offers to play sidekick roles, Caesar decided to go back to New York where he got a club date as the opening act for Joe E. Lewis at the Copacabana nightclub. He reunited with Max Liebman, who guided his stage material and presentation. That appearance led to a contract with the William Morris Agency and a nationwide tour. Caesar also performed in a Broadway revue Make Mine Manhattan which featured The Five Dollar Date, one of his first original pieces in which he sang, acted, double-talked, pantomimed, and wrote the music.
Caesar began his television career when he made an appearance on Milton Berle's Texaco Star Theater. In early 1949, Sid and Max met with Pat Weaver, vice president of television at NBC (and father of Sigourney Weaver), which led to Caesar's appearance in his first series Admiral Broadway Revue with Imogene Coca. The Friday show, simultaneously broadcast on NBC and the Dumont network, was an immediate success but its sponsor, Admiral Corporation, an appliance company, could not keep up with the demand for its new television sets, so the show was cancelled on account of its runaway success.
On February 23, 1950, Caesar appeared in the first episode of Your Show of Shows, a Saturday night ninety-minute variety program produced by Max Liebman whose premier featured Burgess Meredith as guest host, and other musical guests Gertrude Lawrence, Lily Pons, and Robert Merrill. The show launched Caesar into instant stardom and was a mix of scripted and improvised comedy, movie and television satires, Caesar's inimitable double-talk monologues, top musical guests, and large production numbers. The impressive guest list included: Jackie Cooper, Robert Preston, Rex Harrison, Eddie Albert, Michael Redgrave, Basil Rathbone, Charleton Heston, Geraldine Page, Douglas Fairbanks Jr., Pearl Bailey, Fred Allen, Benny Goodman, Lena Horne and many other big stars of the time. It was also responsible for bringing together one of the best comedy teams in television history: Sid, Carl Reiner, Howard Morris, and Imogene Coca. Many prominent writers, denizens of the famed Writer's Room, also got their start creating the show's madcap sketches, including Lucille Kallen, Mel Brooks, Neil Simon, Woody Allen, Michael Stewart, Mel Tolkin, and Larry Gelbart. Sid Caesar won his first Emmy in 1952. In 1951 and 1952, he was voted the United States' Best Comedian by Motion Picture Daily's TV poll. The show ended after 160 episodes on June 5, 1954.
Just a few months later, Sid Caesar returned with Caesar's Hour, a one-hour sketch show with Morris, Reiner, a young Bea Arthur, and much of the seasoned crew. Nanette Fabray replaced Imogene Coca who left to star in her own short-lived series. Ultimate creative and technical control was now totally in Caesar's hands. The show moved to the larger Century Theater, which allowed longer, more sophisticated productions and the weekly budget doubled to $125,000. The premier on September 27, 1954 featured Gina Lollobrigida.
Contemporary movies, foreign movies, theater, television shows and even opera all became targets of satire by the writing team, whose frenetic and competitive spirit produced some of the best comedy in television history. Often the publicity generated by the sketches boosted the box office of the original productions. Some notable sketches included: From Here to Obscurity (From Here to Eternity), Aggravation Boulevard (Sunset Boulevard), Hat Basterson (Bat Masterson), and No West For the Wicked (Stagecoach). Even silent movies were parodied, which showed off the impressive pantomime skills of the entire ensemble. They also performed some recurring sketches. "The Hickenloopers" were television's first bickering couple, predating The Honeymooners. In "The Professor", Caesar was the daffy expert who bluffed his way through his interviews with earnest roving reporter Carl Reiner. In its various incarnations, "The Professor" could be Gut von Fraidykat (mountain-climbing expert), Ludwig von Spacebrain (space expert), or Ludwig von Henpecked (marriage expert). Later, "The Professor" evolved into the Mel Brooks' famous "The Two Thousand Year Old Man".
Everything was performed live including the commercials, which only took up seven minutes of the one hour show, as compared to today's shows which average about 22 minutes of commercials per hour. Famous Hollywood movie stars (or their agents) clamored to be on the show but in reality doing a sketch in one shot with no cue cards and minimal rehearsal time was a challenge for many of the famous stars used to languid preparation and numerous retakes.
In his book Caesar's Hours, Caesar describes the essence of his comedy as 'working both sides of the street', the deliberate blending of comedy and pathos in the tradition of the great comedians of the Twenties and Thirties--his idols Charlie Chaplin, Laurel and Hardy, Buster Keaton, and W. C. Fields. His sympathetic portrayal of the follies and foibles of his characters resonated with a weekly live audience of over 60 million Americans. He was a master of impeccable timing, careful preparation, and quick-witted flexibility, relying heavily on an endless variety of rapidly changing facial expressions and a strong physical presence. Though by nature shy, Caesar reveled in his characters. The most difficult moment of the show for Caesar was the opening, when he had to say 'good evening ladies and gentlemen'.
Caesar's Hour was followed by Sid Caesar Invites You, reuniting Caesar and Coca, and in 1963 with the The Sid Caesar Show, which alternated with Edie Adams in Here's Edie. Caesar also teamed up with Edie Adams in the Broadway show Little Me, a successful Neil Simon play, with choreography by Bob Fosse and music by Cy Coleman in which Sid played eight parts with 32 costume changes. Caesar and Edie Adams played a husband and wife drawn into a mad race to find buried money in the mega-movie-comedy It's a Mad Mad Mad Mad World.
<>Later yearsThroughout the 70s and 80s, Caesar continued to make occasional television and night club appearances and starred in several movies including Silent Movie, History of the World, Part I, Airport 1975 and as "Coach Calhoun" in Grease and its sequel, Grease 2, in 1982. In 1971 he starred opposite Carol Channing and a young Tommy Lee Jones in the Broadway show Four on a Garden. In 1973, Sid and Max Liebman mined their own personal kinescopes from Your Show of Shows (NBC had 'lost' the studio copies) and they produced a feature film Ten From Your Show of Shows, a hilarious compilation of some of their best sketches. In 1977, after blanking out during a stage performance of Neil Simon's The Last of the Red Hot Lovers, Sid gave up alcohol 'cold turkey'. His autobiography, Where Have I Been, published in 1983 and his second book, Caesar's Hours, both chronicle his struggle to overcome alcoholism and barbiturates.
Although advancing in age, Caesar has remained active by appearing in movies, television shows, at award shows and autograph signings. In 1997, he made a guest appearance in National Lampoon's Vegas Vacation and The Wonderful Ice Cream Suit in 1998 based on a Ray Bradbury novel. Also that year, Caesar joined fellow television icons Bob Hope and Milton Berle at the 50th anniversary of the Primetime Emmy Awards where the three were greeted with a long standing ovation. He reprised his famous double-talk skit in an episode of Whose Line Is It Anyway? in 2001. In 2003, he joined Edie Adams and Marvin Kaplan at a 40th anniversary celebration for It's a Mad Mad Mad Mad World.[3] In 2004, Caesar's second autobiography, 'Caesar's Hours', was published, and in March 2006, Caesar was presented with the 'Pioneer Award' at the 2006 TV Land Awards. Although appearing quite frail, Caesar performed his famous double-talk for over five minutes.[4]
Year | Award (number) | Result |
---|---|---|
1987 | Lifetime Achievement Award in Comedy | – |
2005 | DVDX Award | Won |
1997 | Emmy Award | Nominated |
1995 | Emmy Award | Nominated |
1958 | Emmy Award | Nominated |
1957 | Emmy Award | Won |
1956 | Emmy Award | Nominated |
1954 | Emmy Award | Nominated |
1953 | Emmy Award | Nominated |
1952 | Emmy Award | Nominated / Won |
1951 | Emmy Award | Nominated |
2006 | Pioneer Award | – |
2001 | Career Achievement Award | – |
Unknown | Star on the Walk of Fame | – |
Mukasey remained at the hospital overnight for observation but a Justice Department spokesman said Mukasey had strong vital signs and was "in good spirits" after the incident, which occurred at an annual Federalist Society gathering. A person who attended the dinner said Mukasey was visibly shaking and perhaps slurring his words before he fell to the floor.
Video footage showed a tuxedo-clad Mukasey, 67, staggering behind a lectern as FBI agents in his security detail raced to his side.
D.C. fire and emergency services personnel were called to the Marriott Wardman Park hotel in the 2600 block of Woodley Road NW for a report of a man who had fainted in the main ballroom. Rescuers found a man suffering from a fainting spell, said Alan Etter, a D.C. fire department spokesman. Another source said the medics worked on Mukasey for about 10 minutes before taking him out of the ballroom on a gurney.
Etter declined to identify the man, citing privacy laws. The patient was conscious, had no trouble breathing and was able to speak with rescue personnel, Etter said.
A man other sources identified as Mukasey was taken to the hospital as a priority one patient as a precaution but apparently had a "general illness" that was not thought to be life-threatening, Etter said.
A second man, 29, from the audience was also taken to a hospital for observation after reporting that he was upset by the fainting spell, officials said. The two episodes prompted authorities to take hazardous material tests for potential dangers, but officials found no sign of harmful chemicals at the hotel.
A lawyer from New York at the black-tie dinner said Mukasey's speech became noticeably slower, and it appeared at first that he might be choking up.
His security detail immediately ordered all the lights in the room to be dimmed and told guests not to leave the room. It took paramedics at least 15 minutes to arrive, a witness said, during which time the room was virtually silent. After Mukasey was taken out on a stretcher, someone asked that everyone say a prayer for him before the gathering dispersed.
Former Indiana representative David McIntosh (R) led the group in prayer after the incident.
Justice Department officials including Deputy Attorney General Mark Filip gathered at the hospital. In a formal statement released near midnight, department spokesman Peter Carr said: "The Attorney General is conscious, conversant and alert. He is receiving excellent care and appreciates all of the good wishes and prayers he has received. The doctors will keep him overnight for further observations."
Mukasey has served as the nation's chief law enforcement official since last winter. He is a retired federal judge from New York who accepted the taxing job because of his interest in counterterrorism and national security, a topic his remarks last evening addressed.